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Spidora

5/4/2024

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This is a topsy turvy tale in which two very odd things happen. This isn’t a tale for the weak stomached folk. There is a grimy underbelly to the sideshow, a certain brutality that is made palatable over time and retelling. The sideshow of old, made it ok to look at things we pretend not to see in civilized society. This is the story of Spidora.
Cicley Smith was born into a cage of existence. She had one very profound advantage to the plight of the caged life. She was born with an extra pair of arms and an eye for seeing a way though the tightest of spots. She was a natural entertainer. A star, right from the beginning. Back in those days, people exhibited anything, so when an honest to goodness, physical spectacle was on exhibition, the towns folk would line up, down the midway to satiate their appetites for some unbelievable thing. A little wonder they could store in their coat pockets and in the corners of their mind.
Cicley was destined for the sideshow. When her parents learned of this lucrative and interesting way their daughter’s freakery could contribute in elevating their lifestyle, a velvet map was laid at Cicely’s feet and she only had to put one foot in front of the next.  Her mother and father seemed a bit too eager to see her little suitcase disappear on the back of a wagon, but they were cheered by the weight and jingle of the coins they were given by the showman. Their little monster would illuminate the stage as “Spidora, The Human Spider.”
Spidora was a natural born, gifted by God himself, with a perfectly working extra pair of arms. She traveled with Bartholomew and Golden’s Human Curiosity Show, Until her untimely death. From birth Human oddities like Spidora were worth a large sum in death to physicians and showmen. Oftentimes, when they died, the human oddity would leave death ritual instructions for their caskets to be covered with cement. An eternal veil of security against thievery and ill intent.
Spidora left no such set of instructions, her death was sudden.  As you see here, she remains on display an anatomical marvel. Folks would often contemplate the inner working of an entertainer with physical abnormalities. Some were subjected to public autopsies after death, the public paying to witness the scene. Another common atrocity inflicted on the sideshow dead was mumification, and then they were put in a travelling exhibition.  The showman was not above collecting as many coins as he could, ever after death.
There is a long history of the body of the side show performer laid bare, forever on exhibition. The performer captured in a cage until one day when they are repatriated. This piece serves as a homage to all those that were a fingertip away from escaping the cage. Those who found no sleep in death; the physical wonders who were milked of their magic and were given no moon and no stars.
Édouard Beaupré, (January 9, 1881 – July 3, 1904) was a Canadian circus and freak show giant, professional wrestler, strongman, and star of Barnum and Bailey's circus. He was one of the tallest men in recorded history, with a reported height of 2.52 m (8 ft 3 in). Édouard Beaupré was born in the southern Saskatchewan town of Willow Bunch on January 9, 1881. 
Beaupré signed a contract on July 1, 1904, with the Barnum and Bailey circus to appear at the St. Louis World's Fair in St. Louis, Missouri. However, just two days later on July 3, 1904, he died at age 23 of a pulmonary hemorrhage, a complication of tuberculosis. At the time of his death, he was 2.49 m (8 ft 2 in) tall 
At the circus' request, the undertaker embalmed Beaupré's body. However, the circus refused to pay, so they decided to preserve the body which they then put on display in St. Louis. Through an unknown connection, the body made it to the Museum of Eden in Montreal and was put on display there, but the exposition drew such a crowd that the authorities shut it down. The body was then passed on to a Montreal circus, but they quickly went bankrupt and dumped the body in a warehouse. It sat there until 1907, when two kids came across the body as they were playing in the warehouse. The Université de Montréal claimed the body, and, after doing some research and an autopsy, mummified Beaupré's body and placed it in a glass display case in the university.
The family only discovered Beaupré's body was in Montreal in 1967, and so in 1975 began the process to try to return the body to Willow Bunch for a proper burial. The university refused and claimed rights over the body, saying that they wanted to continue to perform research and did not want the body displayed anywhere else. In 1989 the family once again tried, this time bringing the media with them as well to put some pressure on the university. This time the effort worked, and so the university decided they could cremate the remains, to prevent anyone from grave-robbing the body. It took two big urns to contain Beaupré's ashes. Finally, in 1990, the body of le Géant Beaupré or le Géant de Willow-Bunch was brought back to Willow Bunch. The family had a memorial service, and his remains now lie in front of the Willow Bunch Museum.
 
Julia Pastrana (August 1834 – 25 March 1860) was a performer and singer during the 19th century who had hypertrichosis. Pastrana, an indigenous woman from Mexico, was born in 1834, somewhere in the state of Sinaloa.
During a tour in Moscow, Pastrana gave birth to a son, with features similar to her own. The child survived only three days, and Pastrana died of postpartum complications five days later.
After Pastrana's death, her showman and husband Theodore Lent sold her body and their son's body to Moscow University who permanently preserved them. Her body was taxidermically preserved. The process was a blend of taxidermy techniques and embalming chemicals.
For over a hundred years, the bodies of Pastrana and her son were displayed around the world in museums, circuses and amusement parks. They appeared in Norway in 1921 and toured the US as late as 1972. Later that year, a tour of Sweden drew considerable public opposition, leading to the bodies being withdrawn from public view. Vandals broke into the storage facility in August 1976 and damaged the baby's body. The remains were consumed by mice. Julia's preserved body was stolen in 1979, but stored at the Oslo Forensic Institute after the body was reported to police but not identified. It was identified in 1990 and for many years rested in a sealed coffin at the Department of Anatomy, Oslo University. In 1994, the Norway Parliament recommended burying her remains, but the Minister of Sciences decided to keep them, so scientists could perform research. A special permit was required to gain access to her remains.
In February 2013, with the help of Sinaloa state governor Mario López Valdez, New York-based visual artist Laura Anderson Barbata, Norwegian authorities, and others, the body was turned over to the government of Sinaloa and her burial was planned. Hundreds of people attended her Catholic funeral, and her remains were buried in a cemetery in Sinaloa de Leyva, a town near her birthplace.
 
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c.1789– 29 December 1815) was a Khoikhoi woman who was exhibited as a freak show attraction in 19th-century Europe
Saint-Hilaire applied on behalf of the Muséum d'Histoire Naturelle to retain her remains (physicians had preserved her brain, genitalia and skeleton), on the grounds that it was of a singular specimen of humanity and therefore of special scientific interest. The application was approved, and Baartman's skeleton and body cast were displayed in Muséum d'histoire naturelle d’Angers. Her skull was stolen in 1827 but returned a few months later. The restored skeleton and skull continued to arouse the interest of visitors until the remains were moved to the Musée de l'Homme, when it was founded in 1937, and continued up until the late 1970s. Her body cast and skeleton stood side by side and faced away from the viewer which emphasized her steatopygia (accumulation of fat on the buttocks) while reinforcing that aspect as the primary interest of her body. The Baartman exhibit proved popular until it elicited complaints for being a degrading representation of women. The skeleton was removed in 1974, and the body cast in 1976.
 
Her remains were repatriated to her homeland, the Gamtoos Valley, on 6 May 2002, and they were buried on 9 August 2002 on Vergaderingskop, a hill in the town of Hankey over 200 years after her birth.

The story of Spidora and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. 
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April 30th, 2024

4/30/2024

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I thought I was finished with these three ladies last week, but I kept looking at them and something wasn’t quite right, so I made wooden bases for them. Now, I think they are finally complete. It's funny how the piece tells you when it's done.  I hope to have a good amount of these smaller works for the show this Autumn. 
 Images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. 
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in death

4/30/2024

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What if, in death, old bones fall to the ground and reassemble themselves in some magic way? Maybe we are all vessels for some deep story that was here before us. The ancestors who walked this path already became a decaying cottage and the new growth unfurled to make something different on top of what was already. A reassembled cottage made of old bones, rich stories, and whatever we plant and tend. Our harvest is a legacy of culmination. We are always telling a new story, but it is lovingly steeped in the dirt of buried things.
If you're interested, you can see more of my work at Bewitching Peddlers of Halloween. Each work is handmade and one of a kind. I create slowly, surrounded by animals and children in my home studio located in Battle Creek, Michigan.

The story of In DEATH and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. 
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See my latest collection at ....

9/21/2023

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Bewitching Peddlers of Halloween in Historic Marshall, Michigan! 
Bewitching Peddlers of Halloween
September 30th, 2023
Calhoun County Fairgrounds
Marshall, Michigan
See us at Eastend Studio & Gallery for an Artists Meet and Greet on Friday, September 29th from 6-7:30pm. Free and open to the public. Bewitching Peddlers of Halloween has an exhibition of work at Eastend until November 1st.
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Arsenic Alice

9/21/2023

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This is my latest historical debacle! It’s Arsenic Alice, a handmade art doll marking a time when the Victorians knew they were wearing garments made with Arsenic dye, but they would often throw caution to the wind, becoming deathly ill for the sake of couture.
See the video on my FB page! 
The story of Arsenic Alice and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. ​

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Demon at 211

11/3/2022

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​Have I ever told you about my own personal demon? It’s a story for those who encircle me in the darkest of times. I think he’s always been with me. Me aging, the years enveloping me, but he always looks the same. Time just doesn’t permeate his visage. Some of my earliest memories have him painted in the periphery.
This particular story took place in the late 1990’s in a town called Kalamazoo, Michigan. I found myself invited to a local bar called Bourbon Street. I had never been to this fine establishment, but I had listened as people talked about it for years. I closed my shop early that evening and met my friends there.   
When I arrived, my friends were already inside. Upon initial evaluation, I found the great Bourbon Street to be too dark and too loud, but to be fair, anyplace that wasn’t conducive to reading would have fallen into that category. My friends mingled their way into the room and I meandered. People watching was the only way I would salvage this social miss step.
I found a chair and parked myself, thoughts settling on the bound prose I had concealed in my satchel. Just then a man started in my direction.  As he drew himself closer, I realized as uncomfortable as his closeness was, I could not hear him otherwise.  He told me his name was Nathan. His friends had gone their own way, abandoning him. The conversation was pleasant.  Now looking back, I see I was painfully ill equipped to converse with him because I lacked both a backbone and boundaries, but I did have a demon.
 
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​Nathan told me about his work and his family, who lived in Wisconsin. In a very unguarded way, I told him about my little shop situated in the next town over and I told him about my lovely grandmother best friend. Conversation spilled easily between us which gave me a false sense of ease.   
Nathan knew of another place in the social district called the 211. It was a classier place and they had a jazz band that evening. They had lite fare and I was famished. I agreed to meet him there. As I drove the two minutes towards my new destination, all the episodes of Unsolved Mysteries resurfaced in my mind.  As scared as I was of doing new things in a new town, I knew this was how people grew up. They collected experiences and tucked them in pockets until the pockets were overflowing with life lived. 
A very young version of me ventured into the 211. As I think about it now, “211” must have been the address of the place. In the late 1990’s, people felt that was a clever way to name things. I found Nathan straight away and we sat down. The server brought our place settings and spoke to us as I figured out what I could eat gingerly and not appear to be a wild animal.   I decided it would be a bagel and earl grey tea. He ordered a glass of wine. Nathan spoke of his grandmother and how special she was to him. They collected readers digest volumes together. The weight of the day and evening hit me all at once and I felt like I was ready to go home. I wanted to politely take my leave, but I honestly didn’t know if that was ok to do. I expressed my thoughts on calling it a night and Nathan suggested we exchange phone numbers. 
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​My demon had been quiet until this moment.  “Leave now,” he whispered in my ear. I recognized his voice like a gift from your favorited gifter, all beglittered, festooned with fancy paper and ribbons. “Gather your things and go” he said again. 
I didn’t listen to my demon, instead, I gave the man my phone number. Nathan just kept talking and my demon became agitated as he spoke, urging me to leave. I told Nathan I really had to be going.  As I started the motion to stand, he aggressively put his hand on my thigh, pressing me back down in my chair.  He did not remove his hand.
I looked at Nathan in disbelief, I told you to stay awhile and relax” he said.  He was upset that I wanted to leave, and now, he wasn’t going to let me go.
My demon laughed, “I told you to go and you didn’t, what will you do now?”  I didn’t know. In my head, I silently asked for help. What I did not bargain for was the price I would have to pay. Please help me, I thought. My Demon replied calmly, “Now you must stab him. He won’t let you leave. Pick up the fork and stab his hand.” I knew he was right. It was the only option I could see. 
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​My hand found the fork, nestled sweetly with the spoon and it joined the cast of characters, assembled under the table.  I drew back in one quick movement and stabbed him hard. Nathan jerked away leaving blood on the leg of my pants. The fork, the deliverer of women, fell to the floor.
My demon broke the spell, “Get you things and go now, do it!” he insisted.  His magic had teeth and I know now, never to doubt him. I quickly gathered my coat, purse and the fork and headed to my car.
As I settled myself in my car, I looked to see if I was followed. “He won’t follow you,” said my demon. “What about my phone number?” I said aloud. “I can fix that” my demon replied, as his voice filled my brain like smoke filling a glass jar. “How?” I asked. I knew his magic would bite, but I just didn’t know how deeply his teeth would sink in. My demon replied, “My price is something you don’t yet have. I will take care of your phone number and Nathan will never find you, in trade for one hour of your grief. One hour of time, spent with someone who you don’t even know yet. One hour, many years from now, as your dearest prepares for his final journey. That’s what I want.”
It was easy to give up something that wasn’t mine just yet.  “Ok” I said. I was so afraid Nathan would call the police and I would be charged with assault.  One hour of unclaimed grief seemed so far away. Grief wasn’t worth anything anyway, right?
I am a lot older now. I’ve experienced grief. My dearest is dead. My demon, who has been fed by my bargains, remains. He is full of my most vulnerable moments. He sits in the corner and waits for blood or something equivalent. He has become a time capsule of precious things I was willing to trade. Nathan never called.
 
The story of Demon at 211 and the images are copywritten @2022 My Dearest Witch, all rights reserved. 
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Baba Yaga

4/18/2022

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​There are brave souls, holding up lanterns and candles in the night. They unfold the quilts, the books with quickly written directions, they tell the salty stories of home. 
There once was a house that held those it loved and healing was its gift. A house whose walls were draped in stories.  The spice cabinet was full of exotic things and a mortar and pestle sat on the wooden countertop, ready to work.  The house was alive and its caretaker was wise. Baba Yaga was a sharp-tongued newt of a lady, comfortable in her wildness. She honored the importance of salt in the stories.
Baba was born in the house and she know she would give her last breath to it as well. The house had legs, which made traveling easy, but Baba was unable to sink her roots down into the fertile ground. He roots grew inside. A Yaga house is a container, this one was full of old woman magic.
At night, when the town slept, she gifted the candles around her house a flame and intention; a warm glow drawing people nearby. One night in particular, a woman wandered the woods, seeking the house and the witch. Salted tears on her cheeks, she saw the glow of the candles and it pulled her closer and closer. The woman knocked on the door, hoping for respite or death, she would be fine with either at this point.  The door opened, as if the Yaga had been expecting her. The old woman gathered her in her withered arms, but the woman could not stop crying. The witch set out collecting vessels to collet the tears.
Where ever the Yaga travelled, stories seem to follow her forming a spiked fence around her gifts. The words were barbed, to keep people away from her wild.  It has always been the object of the townsfolk to surround the Baba Yaga in stories of dark witchery. This is sure to keep folks in fear of her instead of letting the light shire on healing. Healed women are much harder to control.
Baba Yaga held the woman like she was a child and told her stories of old women who survived. The house held them both as a great soul mending wove the woman back together. After the tears stopped, the Yaga heated them in a bath. She told the woman that her tears held magic. The gritty bits of her story served as the spell.   The Yaga did not take the woman’s pain. She taught her how to put herself back together.
And in the days that followed, the towns folk told stories of how Baba Yaga would steal children who wandered in the woods, cooking them in her pot and eating them up. But the woman knew this was not true. She knew the Baba Yaga had tenderly fed her magic The Baba Yaga, the old witch, the wild woman, the old mother, the hag in the house, had mended her soul with salted tears and a needle, threaded with stories.
The story of BabaYaga and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. 

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January 29th, 2022

1/29/2022

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While my father isn't an art critic, I do want him to be proud of what I do. He came over the other day and wanted to show him what I was working on. I've been beavering away in the studio, working on my collection of work for Bewitching Peddlers of Halloween, a magical art show for Halloween specific work, in September.  This owl will be quite a special piece.  

My dad commented, "is that a turnip?" This comment really made me question my skill as a maker. does this look like a turnip? I did make a turnip called Ms. Neeps a few weeks ago, maybe he was just recalling that piece.  Can my father see?  So many questions came into my vision. 

Nothing makes a person question their work or path like stray comments. My father would never say a discouraging thing about my work, and even though ill intent wasn't there, this is an illustration of how your brain can tell untruths, based on a grain of a comment. Don't believe everything your brain tells you. 
​Happy Creating! 
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The life and Death of Hiss and Cackle

1/20/2022

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The life and death of Hiss and Cackle as told by an observer.
 
No one from the town could recall the actual birth of Hiss and Cackle, it’s commonly thought that the birth was concealed because the two were joined together in a forever kind of way. It is storied that from the beginning of people's memories, they were only ever remembered as little old ladies, skipping right over Maiden and Mother and settling into Crone.
The two were, rightly so, called witches, but they gave each other their formal names.  One was called Hiss; she was the one with some teeth left. The other was called Cackle for the sound that emanated from her facial region as she laughed. They sometimes used the monikers, Blow Smoke and Old Crow interchangeably for each other, in the kindest way possible.
Because it seemed as though the two were born very old, they never had much of a use for parents. Often, it felt as if there were just too many cooks in the kitchen. So, they moved into a cottage covered in ivy, with a secret address. 
It was a special extravagance to be invited to their cottage. As you walked in the general direction, you would smell wood violets first, then warm spices from the hearth would unfold to your nose, followed by hints of sandalwood and bourbon dancing through the air.
One thing you could expect, was as you prepared to leave, the ladies would offer you something to take home. It wasn’t something old or unwanted though, it might have been 1/2 of a wonderful idea, the name to a song you would write, or a string of words, that when spoken just as they were whispered to you, would heal a wounded heart. These gifts were important and light as a feather.
As much as Hiss and Cackle thought about their beginnings, they also contemplated their endings. They thought of how large the casket would have to be to hold two sisters. They thought of how it would happen.   Hiss would say to Cackle, “Sister, I want to die first, so I don’t have to be one breath without you.” They always agreed that it would be Hiss to go first and Cackle just one breath after. Then they would go on together to the next chapter. Maybe this time, Hiss would be the mother and Cackle would be her child, connected briefly by a cord, but forever by the heart. 

Hiss and Cackle were lovingly dreamed into life in my Battle Creek, Michigan studio. They are one, two really of a kind. I create my work using fine antique textiles, wood and clay. 

The story of Hiss and Cackle and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i.  
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Ms. Neeps The turnip lady

1/7/2022

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​Ms. Neeps the Turnip lady
Sleeping deep in the ground, bundled up in earthen soil, was a turnip, touched by magic.  The Farm Witch tended her garden with more than water and hard work. She nourished the ground with stories, with intention and with love.   
One evening under the moons watchful eye, her garden received a gift in the form of sparkling moondust. It fluttered down like a blessing onto her hedgerow, over the loosened dirt and flowers already in bloom.
Even for a witch, who had seen many a curious thing, The Farm Witch was truly bemused. She fell right back onto her tush in the dirt, smiling up at the moon in her big hat and linen skirt.  
There wasn’t long for moments of deliberation as to the “what on earthiness” of these events, because truly, there could be no explanation. A blanket of moon magic had just drifted down and settled on her hearts work, and she was grateful.
Just then, the dirt started to wiggle.  It looked as if a mole from the under garden was awake and roaming about. It wasn’t a little mole though; it was something else from the dirt. Right before her eyes, The Farm Witch saw a small arm shoot up then another. Next came the legs and then a naked turnip body. The Farm Witch was quite familiar with the circle of life, but never had she witness the birth of a turnip lady.
The witch gathered the wisping tendrils of root, the off white and dusty purple head, and the curious little body close to her. Wrapping the turnip lady in a scrap of worn, soft fabric, The Farm Witch nestled her with care in her foraging basket and headed into her little cottage. 
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These are the early beginnings of the turnip lady and how she came to be, but there is more to know.
Because she was nourished by a special magic, destiny sent her like an arrow to things meant just for her. As she grew, the turnip lady sought out quiet joy and because she was born of the under garden, she knew the dark and set out to be a light, an illumination from within. She knew she was odd and special, and she also knew that turnip ladies don’t just crawl their way from under the garden for nothing at all.  
The turnip lady was properly called Ms. Neeps by The Farm Witch, who became her loving caretaker and friend.
The two created a ritual of going to market together. The Farm Witch searched for things to grace her garden and Ms. Neeps scoured the stalls for books. She loved, so much, to fill her sweet little turnip head with poems, spells, and stories about the unexpected and sometimes even the unthinkable. 
On one of those trips to the market, something absolutely atrocious happened. There was an incident that I’d rather not go into a great deal of detail about, involving an out-of-control donkey pulling a cart. I will say, the cart knocked into a stack of apple crates, spilling them across the ground.
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​ Ms. Neeps was not unscathed. A ragged old crate fell right on the small turnip lady.  It was more than a scratch and less than death.
The Farm Witch often tended to those in need who could not or would not see a credentialled doctor. She put people and critters back together the best she could. 
 
After getting Ms. Neeps back to the warmth of their cottage, she began searching the shed for just the right thing.  She found a tiny piece of furniture, a dresser, that must surely have belonged to a fairy. Putting both the lady turnip and the small dresser on her dinner table, The Farm Witch cobbled them both together in a remarkable way. In the end, she sat back and smelled the magic making in the air. She was grateful.
They called it a new chapter of magic. Ms. Neeps atop a storybook dresser, completely brimming with books and The Farm Witch with the deep knowing that even if our roots begin in the dirt, they don’t necessarily have to remain there. Our stories can begin again, maybe at the hand of a witch who cobbles things back together, or maybe with a book, offered to you by a turnip lady.

The story of Ms. Neeps and the images are copywritten ©2024MyDearestWitch, all rights reserved. Not created with the use of a.i. 

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 My work is only available at Bewitching Peddlers of Halloween, September 28th, 2024 in historic Marshall, MIchigan. You can email me at [email protected] 
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